A study of bodily memory, mineral rhythm, and the small gestures that connect human movement to the ground beneath it.

The work combines image, textile, and sculptural fragments into a quiet sequence of surfaces that feel both excavated and alive.

Ritual Forms looks at repeated hand movements as a way of making temporary structures for attention, care, and transformation.

Objects, fabrics, and photographic traces are arranged as a loose ceremony, giving the viewer space to enter through texture rather than explanation.

This project follows cloth as a carrier of personal and collective memory, where folds, seams, and stains become a soft archive.

The images and objects move between body, garment, and landscape, asking how material can hold a memory without fixing it in place.

A collection of visual notes from sites where sound, weather, and movement shape the atmosphere of the work.

The project treats documentation as an active material, letting the recorded fragments become part of the installation rather than evidence outside it.

Body Archive gathers poses, marks, and gestures into a living archive of perception and physical memory.

The work resists a single narrative, instead building a field of images where vulnerability, strength, and intuition remain in motion.

Soft Relics imagines devotional objects made from fragile materials: textile, paper, skin-like surfaces, and found matter.

Each piece holds the tension between preservation and disappearance, approaching the relic as something intimate rather than monumental.

A series of calligraphic experiments that treat writing as movement before language, with lines becoming traces of breath and pressure.

The studies connect mark-making to ritual practice, letting repetition and rhythm carry the meaning of the work.

Night Garden brings together dark botanical references, sensory fragments, and dreamlike image sequences.

The project considers the garden as a psychological space: sheltered, unstable, and full of forms that only become visible slowly.